Kawai Kanjiro Gosu Circular Pottery Container
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Directory: Vintage Arts: Regional Art: Asian: Japanese: Stoneware: Pre 1960: Item # 1441210
Directory: Vintage Arts: Regional Art: Asian: Japanese: Stoneware: Pre 1960: Item # 1441210
Please refer to our stock # 1675 when inquiring.
Modern Japanese Ceramics
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in Kyoto
075-201-3497
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Feel free to visit our gallery
in Kyoto
075-201-3497
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$1,350.00
A simple small circular container covered in rust colored speckled Gosu glaze by 20th century pottery legend Kawai Kanjiro enclosed in a wooden box annotated by his daughter Koha titled Gosu Futamono3 inches (7.5 cm) diameter and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishing his own kiln on the Gojo-no-Saka (It remains standing today and is a must see for anyone visiting Kyoto). Together with compatriots Hamada Shoji and Bernard Leach (with whom he traveled throughout Asia) established the modern Mingei movement in ceramics, the most influential ceramics movement in the 20th century. His research on glazes (of which he developed thousands over a lifetime of work) remains influential as well. Refusing to be limited to ceramics, Kanjiro also worked in bronze, wood and paint. An interesting final note on this unusual artist, when offered the title of Living National Treasure, an honor bestowed on very few, he declined.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishing his own kiln on the Gojo-no-Saka (It remains standing today and is a must see for anyone visiting Kyoto). Together with compatriots Hamada Shoji and Bernard Leach (with whom he traveled throughout Asia) established the modern Mingei movement in ceramics, the most influential ceramics movement in the 20th century. His research on glazes (of which he developed thousands over a lifetime of work) remains influential as well. Refusing to be limited to ceramics, Kanjiro also worked in bronze, wood and paint. An interesting final note on this unusual artist, when offered the title of Living National Treasure, an honor bestowed on very few, he declined.
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