Modern Japanese Ceramics Pottery Contemporary
By Appointment is best. You might get lucky just popping by, but a great deal of the month I am out visiting artists or scouring up new items, so days in the gallery are limited.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479633 (stock #FT44)
Modern Japanese Ceramics
sold, thank you
A brooding dark bowl blasted with color, a pool of green on one edge seeming to weep through to form a bead of murky green on the outside by Furutani Taketsohi enclosed in the original signed wooden box titled Shizen-yu Guinomi. It is just over 6 cm (2-1/2 inches) diameter 4.2 cm (1-3/4 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479634 (stock #FT37)
Modern Japanese Ceramics
sold, thank you
This Tokkuri by Furutani Taketoshi beautifully matches the sake cup just listed, glistening glaze the color of wet moss runs over the stone-like surface reaching a crescendo as a dusky bead of glass reaching out to the viewer. It comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tokkuri. It is 14 cm (5-1/2 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479635 (stock #FT69)
Modern Japanese Ceramics
sold, thank you
An incredible work by Furutani Hirofumi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Hen Hanaire. Crystaline green glass pools on one side, reaching down a hand to grasp the blackened shell impressions near the base surrounded in raw sunburnt clay. Opposite red discs surround shell marks where it was stacked in the kiln, beads of green forming like dew drops defying gravity on the rim. In between the earth is scorched and blackened, rivulets of olive running between. It is 37 x 11 x 40 cm (15 x 4-1/2 x 16 inches) and is in excellent condition, directly from the artist.
Furutani Hirofumi (b. 1948) is the real deal, a Shigaraki potter trained under his father, recipient of tradition and knowledge who does not say much. After graduating school, he went to work in a large production kiln where he studied firing technique and clay preparation. He then returned to the family studio where he headed up the preparation and firing, while, taking a second position in that respectful Japanese way to his long-lived father, who strictly tortured clay, relying on his son to do all the “real work.” The Japanese title for such a person is: Ennoshita no chikara mochi (The true strength hidden under the eaves). A decade after the passing of Churoku, every day you will find him in search of the natural phenomena born from the dialog between soil and flame and the elements. He oversees kneading and preparing the clay, as well as the kiln work, stacking and preparations for firing, creating his own pieces while allowing his son to take the fore. He is not competing or seeking fame, just quietly making pots in that very Japanese way, treading the path of the Unknown Craftsman.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479726 (stock #FT87)
Modern Japanese Ceramics
sold, thank you
The fire is still alive on this striking Shigaraki Tsubo by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual coloration of the running ash wrapping around the blackened surface. Kiln effects are what this family is known for, and this does not disappoint. It is 27.5 x 27.5 x 33.5 cm (11 inches diameter, 13 inches tall) and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479727 (stock #FT25)
Modern Japanese Ceramics
sold, thank you
This bowl by Furutani Taketoshi is a textbook of Shigaraki kiln effects. Fiery reds rimmed with olive, hints of emerald over twilight gray skies. It was exhibited at the Regional Dento Kogeiten Traditional Crafts Exhibition and comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Chawan. It is 10.5 x 11 x 9 cm (roughly 4 plus inches diameter, 3-1/2 inches tall) and is in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churoku II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479728 (stock #FT58)
Modern Japanese Ceramics
sold, thank you
A classic work by pioneering artist Furutani Hiromu (Churoku I), the torn clay covered in naturally formed green ash-glaze. It retains the original ceramic lid and comes in a wooden box titled Shigaraki Shizen-yu Mizusashi, directly from the family. The receptacle is 18 x 18.5 x 23 cm (7-1/2 inches diameter, 9 inches tall) and is in excellent condition.
Furutani Hiromu (Churoku I, 1922-2012) Fascinated by the aesthetics of "wabi" and "sabi" expressed in the “Koge” (Charing),“Hi-iro”(Flame Color) and other naturally born kiln effects of Shigaraki ware, Furutani Hiromu devoted himself to the recovery of pre-Edo firing techniques. He was on the forefront of research into ancient kiln construction and he recreated both an Anagama and then a climbing kiln which could produce wares to rival the ancients. In the manner of craftsmen of time immemorial, he produced both Tsubo and Tea Ware. He was the first artist named a Dento Kogeishi (Traditional Craftsman) in Shigaraki, accepting that honor in 1976. After that his works were exhibited throughout Japan, as well as internationally. Breaking from tradition however, he also worked to create carved and modeled pieces with animated creatures writhing across the surfaces or arching to form handles.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479811 (stock #FT86)
Modern Japanese Ceramics
sold, thank you
The raw red flesh glows softly under a coating of ash which wraps around in tendrils to the coal blackened base of this voluminous Vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual red coloration. Kiln effects are what this family is known for, and this does not disappoint. It is 31 x 31 x 31 cm (12-1/4 inches diameter), a modern form with roots growing deep from 500 years ago.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479813 (stock #FT21)
Modern Japanese Ceramics
sold, thank you
How perfectly does this vessel show off the character of clay?! Furutani Taketoshi has built up the clay I a method allowing the natural rough surface to remain undisturbed, a deep gouge around the shoulder filled with a pool of alpine green crystals and the neck meandering up like a natural crag. Soft gray underlies the flying ash and rivulets of fresh green cascading down the sides. The beauty of Shigaraki lies in its ability to connect the various elements of nature from which it is created in a manner which appears untouched by human hand. Viewing the pootery brings a calmness, a serenity as if one were leaning up against the trunk of a great tree. This vase is roughly 12 cm (5 inches) diameter 17.5 cm (7 inches) tall and in excellent condition, directly from the artist and comes inclosed in a signed wooden box titled Shigaraki Shizen Yu Kinuta Hanaire. A Kinuta (Fulling Block) is a wood mallet used to beat cloth to soften it during the Edo period. It is a traditional shape in Japanese pottery, especially among Iga and Shigaraki wares.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479825 (stock #FT12)
Modern Japanese Ceramics
sold, thank you
A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers. It is 12.5 cm (5 inches) diameter, 21 cm (just over 8 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479826 (stock #FT26)
Modern Japanese Ceramics
sold, thank you
This bowl is just an ideal look at the many aspects for which Shigaraki is known. The entire is incredibly natural looking, as if erosion and growth have spent eons together creating the paternation. This of course, truly happens over about 5 days, the effects born from the natural combination of fire, ash, flow and placement within the kiln. It is 11 x (4-1/4 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition, directly from the artist
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479870 (stock #FT27)
Modern Japanese Ceramics
sold, thank you
The vertical sides turn out ever so slightly at the rim allowing a view into the crystalline lake pooled inside this deep bowl by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Chawan. The interior is entirely covered in natural ash glaze, colors varying from light green to iron red to twilight gray with the aforementioned pool of crystalline green in the center. This is in stark contrast to the coal strip fraught with green rivulets outside, which covers about one third of the exterior, the remainder stark adobe colored clay showcasing the white feldspar for which Shigaraki is known. It is 12 x (4-3/4 inches) diameter, 8.5 cm (3-1/2 inches) tall and in excellent condition, directly from the artist
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479930 (stock #FT38)
Modern Japanese Ceramics
sold, thank you
A beautifully crafted Tokkuri covered in ash encrustation by Furutani Taketoshi enclosed in the original signed wooden box titled Shizen Yu Tokkuri. It is 8.5 cm (3-1/2 inches) diameter, 13 cm (5 inches) tall and in excellent condition, directly from the artist. It goes very well with teh sake cup pictured, (Not included but featured Next)
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479931 (stock #FT44)
Modern Japanese Ceramics
sold, thank you
This piece I feel goes very well with the Tokkuri just listed, a guinomi showcasing the soft tones of the Shigaraki clay with its inclusions and imperfections, a smattering of ash inside spilling like sake over the rim in green, white and gray. It is by Furutani Taketoshi and comes enclosed in the original signed wooden box titled Shizen-yu Guinomi. It is 6.5 cm (2-1/2 inches) diameter, 4.5 cm (just under 2 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479980 (stock #FT15)
Modern Japanese Ceramics
sold, thank you
A cluster of ash and slag has adhered to the shoulder of this scarred and charred single flower vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Ichirin Hanaire. The exterior has been thickly potted then sliced away in a slightly swirlin pattern in a style the artist calls Shinogi. This allows the flying ash plenty of hold to create the keshiki, or landscape effects) for which this family is known. It is 13.5 cm (5-1/2 inches) diameter, 19 cm (just under 8 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479982 (stock #FT41)
Modern Japanese Ceramics
sold, thank you
A small scorched vessel by Furutani Taketoshi encapsulating in a microcosm the various aspects of Anagama-kiln firing enclosed in the original signed wooden box titled Shizen-yu Guinomi. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churoku II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479983 (stock #FT31)
Modern Japanese Ceramics
sold, thank you
This is a most unique work, a faceted Kurinuki chawan carved and hollowed out from a solid block of clay by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Chawan. Shinogi is a term referring to a blade, and is the artist’s term for pieces from which he has cut away the surface. In this case, he carved and formed the outside from a single lump of clay, cutting away to reveal the form. Then he hollowed out the inside, making the interior slightly fluted to make it even lighter and easy to handle. Then the foot was carved away. The entire is a most unique sensory experience. Close your eyes when you rotate the bowl in the palm of your hand before drinking the tea and enjoy the feeling of the ash blasted and ribbed earth. It is 11 cm (4 plus inches) diameter 9 cm (3-3/4 inches) diameter and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churokuk II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479984 (stock #FT35)
Modern Japanese Ceramics
sold, thank you
A brooding Tokkuri sake flask by Furutani Taketoshi, the glistening glaze like infidel skies, a storm rapidly approaching, the stone-like surface reaching a crescendo with a dusky bead of glass reaching out to the viewer. It comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tokkuri. It is 16.5 cm (6-1/2 inches) tall and in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churoku II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1479997 (stock #FT53)
Modern Japanese Ceramics
sold, thank you
A contemporary Shigaraki Yunomi Cup in Natural Ash Glaze by Furutani Taketoshi enclosed in the original signed wooden box titled Shizen-yu Yunomi. It is 7 x 7 x 7 cm (3 x 3 x 3 inches) and is in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churoku II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1480028 (stock #FT06)
Modern Japanese Ceramics
sold, thank you
A stunning Kakehana wall vase in liquid gray ash forming crystalline green droplets beading on the front by pioneering Shigaraki artist Furutani Hiromu (Churoku I) enclosed in a wooden box signed by the family and titled Shizen-yu Kakehana Hana-ire. It is 5 cm (2 inches) diameter, 33 cm (13 inches) long and in perfect condition, directly from the Furutani family personal collection.
Furutani Hiromu (Churoku I, 1922-2012) Fascinated by the aesthetics of "wabi" and "sabi" expressed in the “Koge” (Charing),“Hi-iro”(Flame Color) and other naturally born kiln effects of Shigaraki ware, Furutani Hiromu devoted himself to the recovery of pre-Edo firing techniques. He was on the forefront of research into ancient kiln construction and he recreated both an Anagama and then a climbing kiln which could produce wares to rival the ancients. In the manner of craftsmen of time immemorial, he produced both Tsubo and Tea Ware. He was the first artist named a Dento Kogeishi (Traditional Craftsman) in Shigaraki, accepting that honor in 1976. After that his works were exhibited throughout Japan, as well as internationally. Breaking from tradition however, he also worked to create carved and modeled pieces with animated creatures writhing across the surfaces or arching to form handles.
All Items : Artists : Ceramics : Pottery : Contemporary item #1480076 (stock #FT23)
Modern Japanese Ceramics
sold, thank you
A rare blue gleams on the edges of this small cuboid by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Hen Hana-ire. The surface is heavily abraded as with a chisel, giving plenty of grip for the natural blown-ash glaze. It is 9 x 6.5 x 9 cm (3-1/2 x 2-1/2 x 3-1/2 inches) and is in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokuro wheel technique, graduating the following year. In 1993 he would find himself under the tutelage of Suzuki Iwau before re-entering for a second course at the Research Facility, graduating in 1995. From then he returned to the family kiln where he learned in the time-honored tradition from both his grandfather Churoku I and father Hirofumi (Churoku II). In 2013 he was named a Dento Kogeishi Traditional Craftsman. Since he has exhibited consistently at the Japan Traditional Crafts Exhibition. Subverting the self, he makes simple, organic pots which have a timeless quality. As well he dares new forms and challenges the clay with innovative techniques, coercing from the pliable earth challenging incarnations very much rooted in the now, yet still paying homage to the traditions passed down through the ages.
All Items : Artists : Ceramics : Pottery : Contemporary item #1480378
Modern Japanese Ceramics
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A classic angular silhouette in vivid Oribe coloration pierced by a jagged handle by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Te-oke. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces. It is 36 x 15 x 32.5 cm (14 x 6 x 13 inches) and in excellent condition. A bucket form vase with spiked handle like this is held in the collection of the V&A.
Takauchi Shugo was born in Tokyo in 1937, opening his kiln in Mashiko at the age of 31. He has exhibited at the Nihon Dento Kogeiten National Traditional Crafts Exhibition, Nihon Togeiten National Ceramics Exhibition and as well as Gendai Nihon Togeiten National Modern Ceramics Exhibition in addition to innumerable public and private exhibitions. He is recipient of the Order of Cultural Merrit from Tochigi Prefecture, and his works have been selected for international exhibitions (Paris, London, Denmark and America) and work by him is held in the V&A, The Art Gallery of New South Wales. For more see the Book “Japanese Studio Crafts” (1995) by Rupert Faulkner of “Fired with Passion” (2006) by Beatrice Chang and Samuel J Lurie.
All Items : Artists : Ceramics : Pottery : Contemporary item #1480658
Modern Japanese Ceramics
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A voluminous Tsubo decorated with autumn grasses scored into the clay with a gold moon rising up behind on the tarnished silver glaze, a spectacular combination by veteran Karatsu potter Nakazato Yoshitaka enclosed in the original signed wooden box titled Ginsai Tataki Tsubo. It is 33.5 cm (13 inches) diameter and in excellent condition. Nakazato Yoshitaka was born in 1958, a descendant of the famous Nakazato Tarouemon family of Karatsu. He graduated the Saga Prefectural Arita Industrial Ceramic Research Facility in 1976, returning home to assist his father at the Sangen kiln. The following year he ventured to Kyoto where he studied tea ware manufacture under Miyagawa Kosai, before returning once again to Kyushu and the family kiln. In 1985 he was awarded at the 17th Nitten National Exhibition, and has received many awards since, as well as being collected by Saga prefecture. In 1987 he established his own kiln in Karatsu city.
All Items : Artists : Ceramics : Pottery : Contemporary item #1480820
Modern Japanese Ceramics
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A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent. This rare teardrop of the fire god is highly prized among collectors. The vessel is 35 cm (14 inches) tall and in excellent condition.
Koyama Kiyoko was the subject of the film Hi-Bi (2005) and the recent NHK television drama Scarlet. She is the preeminent pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938, she went to Shigaraki village, home of one of Japan’s Six Ancient Kilns. There she studied the traditional techniques, and bore the brunt of centuries of discrimination against women. Through it all she persevered to become one of the most highly sought of Shigaraki potters. For more on her works see Modern Japanese Ceramics in American Collections, Japan Society New York, 1993
All Items : Artists : Ceramics : Pottery : Contemporary item #1480972
Modern Japanese Ceramics
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A small flaring sake cup by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Guinomi. It is 7.7 cm (3 inches) diameter and in perfect condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gendai Kogei Ten (National Japanese Modern Crafts Exhibition) among others. He is held in the Yale University Museum among others. For more information on this artist a quick web-search, or a look at the article highlighting his life in the March 2005 edition of Orientations Magazine will be enlightening. The list of museums holding his work is, in fact, much to long for this page, but includes the National Museums of Modern Art, Tokyo /Kyoto / and Osaka, the Metropolitan Museum of Art, NY, Brooklyn Museum, Museum of Fine Arts, Boston, Philadelphia St. Louis, Portland, Chicago, Minneapolis, Smithsonian, British Museum, Victoria & Albert Museum, Musée national de céramique, Sèvres, Musée des arts décoratifs, Paris, Hetjens Museum, Düsseldorf and the National Gallery of Australia among many others
All Items : Artists : Ceramics : Pottery : Contemporary item #1481016
Modern Japanese Ceramics
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Mastery of the Oribe genre is apparent in this Chawan by Yamada Kazu which comes enclosed in the original signed wooden box titled Kuro-Oribe Chawan. It is 13 cm (just over 5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Yamada Kazu was born in Tokoname city in 1954, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncle living National Treasure Yamada Jozan. He graduated the Osaka Art University before moving to Echizen to establish his first kiln. He was propelled to international fame after building an Anagama kiln in Germany in 1988. He has been displayed domestically at the Asahi Togeiten, Nihon Togeiten and Chunichi Kokusai Togeiten as well as a host of private exhibitions in prominent galleries and department stores , and his innovative forms and designs are in high demand.
All Items : Artists : Ceramics : Pottery : Contemporary item #1481134
Modern Japanese Ceramics
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The ultimate in crusty, a radical charred vessel by Kanzaki Shiho enclosed in the original signed wooden box titled Iga Hanaire. Two sides are completely blackened and coated in Koge-charring. Opposite the darkness gives way to tombo-no-me (Dragonfly eyes) with thick encrustations around the base, a stream of yellow cascading down one clefted face. It is 21.5 cm (8-1/2 inches) tall and in excellent condition.
(Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on his work. He was born in Shigaraki, and was fast tracked into the Kansai University Law Department, but rather the life of a lawyer, after graduation he went with his heart to take up the precarious life of a potter, apprenticing under Mino artist Matsuyama Suketoshi. Later he returned to Shigaraki working there at the research center while developing his own style and methods with the Anagama. He consistently stayed with the personal world of private exhibitions, developing a large following both at home and abroad and his list of exhibitions is impressive. He has been the subject of several documentaries and Television interviews, and is widely published. For more information see, The Fire Artist, a documentary by Canadian Director Claude Gagnon.
All Items : Artists : Ceramics : Pottery : Contemporary item #1481190
Modern Japanese Ceramics
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A canonical misshapen Shigaraki Jar by legendary female artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Uzukumaru. The igneous coating of mottled natural ash glaze containing clusters of charring gives testament to the fluctuations in temperature during the firing which give the work of this pioneering female artist such a unique quality. Here the form is classic medieval Shigaraki with a cross-work pattern called Higaki engraved into the shoulder of the jar. It is 21 cm (8-1/2 inches) tall and in excellent condition.
Koyama Kiyoko was the subject of the film Hi-Bi (2005) and the recent NHK television drama Scarlet. She is the preeminent pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938, she went to Shigaraki village, home of one of Japan’s Six Ancient Kilns. There she studied the traditional techniques, and bore the brunt of centuries of discrimination against women. Through it all she persevered to become one of the most highly sought of Shigaraki potters. For more on her works see Modern Japanese Ceramics in American Collections, Japan Society New York, 1993
All Items : Artists : Ceramics : Pottery : Contemporary item #1481234
Modern Japanese Ceramics
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A sculptural form covered in iconic Iga Kiln effects by Toyosaki Nobuhiko of the Korin-kiln in Mie prefecture enclosed in the original signed wooden box. On the convex shoulder, green glass pools crystalline, while a smattering of goma (sesame) ash clings to the bulbous side, gray charring and plenty of flying ash to fill in the blanks. It is 25 cm (10 inches) tall and in excellent condition.
Born in 1955, he graduated Kyoto’s Ritsumeikan University department of Science and Engineering in 1980 before enrolling in the Seto Ceramic Research Facility. In 1982 he moved to Toki City where he apprenticed under the Iga master Kishimoto Kennin. In 1988 he returned to his hometown, establishing his own kiln that same year. He has remained focused on private venues and the intimacy of the private exhibition.
All Items : Artists : Glass : Contemporary item #1481533
Modern Japanese Ceramics
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Applied gold and colored glass decorate this Rimpa inspired yellow sake set by Kuroki Kuniaki enclosed in the original signed wooden box titled Kinsai Korin Hisago (Applied Gold Korin Series Gourd). The flask is 11 cm (4-1/2 inches) tall, the cups 5 cm (2 inches) tall and all are in excellent condition, a superb and functional example of this important artists work.
Kuroki Kuniaki was born in Miyazaki prefecture in 1945. He began his career employed straight out of school by the Yamaya Glass Company in 1963. It would only be a decade later that he would venture out on his own, to begin creating unique works of glass art. Yet another ten years would pass before he went fully independent in 1984. He began with a project to revitalize Edo style Cut glass (Satsuma Kiriko), and established his workshop in 1989. He was awarded the National Order of Excellence for modern craft in 1991 and began to garner attention overseas. He was awarded in Paris in 1995, Rome in 1996 and Athens in 1997. Since he has been exhibited widely throughout Japan, as well as the US, Singapore, Throughout Europe, Taiwan, Australia among many others. His works have been collected by the Imperial Household Agency and the Royal Family. They are held in the collection of Philadelphia, Denmark Glass Museum, Peking Palace Museum and Kitazawa Museum among others.
All Items : Artists : Glass : Contemporary item #1481644
Modern Japanese Ceramics
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Do not let size fool you, this dainty work by Matsushima Iwao is flabbergasting, and will keep you wondering for days how he created it. It is core-formed glass, a process few have mastered, where variously colored rods, some infused with gold or other precious metals are heated and slowly built up over heat like forming a clay pot by coil and pinching (terribly oversimplified). According to the New Bedford Museum of Glass, “Long before the invention of the glass blow-pipe, which took place in the Roman Empire about 50 B.C., most hollow glass vessels were formed around a removable core”. This piece is roughly 6.5 cm (2-12 inches) diameter and comes complete with the original glass lid. Although traditional core-formed glass is at the basis of Matsushima’s work, he added significantly to the ancient technique; not merely imitating the ancient art, but refining and expanding it. Given the small size and fragility of his vessels, Matsushima does not sign them.
Matsushima Iwao was born in Okayama in 1946, and began delving into Core Glass forming in 1975. His work traveled the globe in 1981 as part of a show titled The Beauty of Modern Glass in 1981, the works visiting Australia, Canda and the US as well as being displayed at the National Museum of Modern Art in Kyoto (MOMAK). The following year he established his own studio and devoted himself fully to working professionally as a glass artist.
Works by the artist are held in the Metropolitan Museum of Art New York, the British Museum, and the Corning Glass Museum. In Japan three works by him are held in the National Crafts Museum, part of the National Museum of Modern Art in Tokyo (MOMAT). In addition, works are held in the Miho Museum, The Hokkaido Museum of Modern Art, and Toyama City Glass Museum among many others. He is now a lecturer at the Toyama City Institute of Glass Art and a faculty member at Okayama University, both in Japan.
All Items : Artists : Ceramics : Pottery : Contemporary item #1482103 (stock #MC306)
Modern Japanese Ceramics
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A colorful Guinomi Sake cup by Shibata Masamitsu enclosed in the original signed wooden box. The design, while technically perfect, is playful with soft colors which allow the viewer a childish sense of wonder. It is 6 cm diameter, 7.5 cm (3 inches) tall and in excellent condition, directly from the artist.
Shibata Masamitsu was born in Toki City, the heart of Mino country, in 1961. After graduating from Kyotos Ritsumeikan Daigaku University, He spent a year at the Tajimi Ceramics Research Facility. His work is an extension of his personality, a little quirky, a little cute, always colorful!
All Items : Artists : Ceramics : Contemporary item #1482204
Modern Japanese Ceramics
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A striking configuration by the rising young female artist Tanaka Yoko enclosed in the original signed wooden box titled Yu-un Hai (Playful Clouds Cup). Yoko has created a unique technique whereby she combines glass and porcelain. It is roughly 7.5 cm (3 inches) diameter and in perfect condition, directly from the artist this summer.
Tanaka Yoko was born in Kanagawa prefecture in 1983, and graduated the design course of Tama Art University in 2007. After working briefly, she enrolled in the Ceramics Lab of the Tajimi City Research center, graduating in 2011, following which she opened a studio in neighboring Toki city. Since her work has been exhibited at the National Ceramics Exhibition (Nihon Gendai Togeiten) and Kikuchi Biennale (Tomo Museum). She was awarded at the 2014 Mino International Ceramics Fair, 25th National Ceramics Exhibition and her work was taken into the Ibaraki Prefectural Ceramics Museum Collection in 2019.
All Items : Artists : Glass : Contemporary item #1482451
Modern Japanese Ceramics
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Heat shattered gold foil decorates the amber glass of this sake set by Yoshida Katsumi enclosed in the original signed wooden box. The Cups are 6.3 cm (2-1/2 inches) diameter, 3 cm tall. The pot is 21 x 17 x 17 cm (8-1/4 x 7 x 7 inches) and all are in excellent condition.
Yoshida Katsumi is a master craftsman born in Fukuoka Prefecture in 1938. He is well known for his tea utensils, including water pourers and sencha bowls. After being selected for the prefectural exhibition, he received high acclaim for his outstanding skills and delicate sensibilities.
All Items : Artists : Glass : Contemporary item #1482551
Modern Japanese Ceramics
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An agate-like cluster floats in the crystal glass of this large vessel by leading Japanese glass artist Hosoi Moto-o enclosed in the original signed wooden box. Ever inventive his works speak of the asymmetry and textures of the natural world. It is 43 cm (16-3/4 inches) tall and in excellent condition.
Hosoi Moto-o (Motoo) was born in Osaka in 1964, and both his older brother and sister also became glass artists. After creating a studio with his brother, he ventured out on his own. He has been exhibited and or awarded at the National Modern Crafts Exhibition, (Nihon Gendai Kogei-Ten) and the Nitten National Art exhibition among others. His dynamic glass works are based on the theme of nature and time.
All Items : Artists : Glass : Contemporary item #1482616
Modern Japanese Ceramics
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A striking work of heavy glass by Suzuki Genta enclosed in the original signed wooden box titled Shizuku Kaki (Dripping Vase). Thick dollops of glass run like giant rain drops over the surface. It is 36 cm (14 inches) tall, and in excellent condition.
Suzuki Genta was born in Kyoto in 1971, graduating the prestigious Doshisha Universtiy in 1994. That same year he packed up and went off to Sweden where he studied at the Kosta Glass School, graduating in 1996. He then travelled Europe, learning under Philip Baldwin and Monica Guggisberg at the Verrerie de Nonfoux in Switzerland, then back to Sweden where he worked under Ulla Bostrom at the Aister Glass Studio, then Peter Kuchinke at the Lauscha Glass Factory in Germany. He studied for 8 months with Anders Wingard at the Baskemolla Glass Studio in Sweden in 1997, then went to New Zealand for six months under Ola Hoglund before 3 months under Simone Cenedese at Linera Vetro in Italy, returning to Japan in 1999. He established the Genta Glass Studio in Toyama prefecture in 2003 and has lived and worked there ever since.
All Items : Artists : Glass : Contemporary item #1482618
Modern Japanese Ceramics
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A striking sake set by Okushima Keiji consisting of a glass Tokkuri embedded and a glass Guinomi sake cup mixed with porcelain and lacquered inside with silver leaf, each enclosed in their original signed wooden boxes. When I first saw his work, although made of glass, I had the impression that it was made by a potter, and Keiji attempts to bridge these mediums, with the addition of lacquer and gold/silver leaf, applied, baked, charred, to create art works never before seen. The Tokkuri is 15 cm (5-3/4 inches) tall, the cup 7 cm (3 inches) diameter and both are in perfect condition, directly from the artist.
Okushima Keiji was born in Kyoto in 1977, and raised in rural Shiga prefecture just over the mountains from his birthplace. In 2000 he graduated Ritsumeikan University, and entered the Toyama Garasu Zokei Kenkyusho Glass Research Facility, graduating there in 2002. After working in a glass studio for several years, he established his own studio in Shiga in 2010. Since he has focused on the world of private exhibitions as his preferred venue. That said, he has been accepted into the Glass Craft Triennale in 2010, the National Craft Exhibition (Nihon Kurafuto Ten) in 2011, and received the Iwata prize at the Tableware Taishoten in 2012. 2013 saw his work in display in the Lansing At Gallery (US) and in Korea where he would be seen again in 2014 and 2015. From 2016 to 2019 his list of exhibitions is impressive, including exhibitions throughout Japan as well as New York and Korea. Like many artists, he is now recovering from that three year blank left in all our lives by COVID.