Modern Japanese Ceramics Pottery Contemporary
By Appointment is best. You might get lucky just popping by, but a great deal of the month I am out visiting artists or scouring up new items, so days in the gallery are limited.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #660374 (stock #116)
Modern Japanese Ceramics
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A huge Yakishime vessel by modern ceramicist Mihara Ken (b. 1958) enclosed in the original signed wooden box. This piece has an almost haunting presence, the hada sandy and rough, you would think it could crumble in your hands, yet is fired so hot it rings like a bell when tapped. The dark grays and raw earth tones add to that sense of mystery, like something ancient discovered in a dark cave. The vase is 14-3/4 inches (37.5 cm) tall and 11-1/4 (28.5 cm) diameter and in perfect condition. Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23. He has been exhibited and or prized at the All Japan Ceramic Exhibition (Nihon Togei Ten), Asahi Ceramic Exhibition, the National Traditional Crafts Exhibition (Nihon Dento Kogei Ten) as well as the Tanabe Museum Chanoyu no Zokei Ten (Modern tea forms Sculpture Exhibition). He has displayed in both Europe and America and is held in the permanent collection of the Tanabe Museum of Art and the New Orleans Museum of Art among others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #662899 (stock #123)
Modern Japanese Ceramics
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An igneous Shigaraki hana-ire by the innovative young Mushin-Gama potter Kowari Tetsuya enclosed in the original signed wooden box. The vase is 6-1/2 inches (16.5 cm) tall, 4-3/4 inches (12 cm) diameter at the bottom. It is in perfect condition. Tetsuya was born in Fuji-city Shizuoka in 1970, and graduated the prestigious Meiji University. He has apprenticed under a number of teachers, taking a bit from each without allowing their direction to overpower his own personal style. He works in Shigaraki, Bizen and Shino wares. The artist has been displayed at the Nihon Togei Ten National Ceramics Exhibition, as well as the prestigious Nitten consistently.
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #679069 (stock #157)
Modern Japanese Ceramics
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A large pottery box decorated with oribe patterns over textured Seto clay by Suzuki Goro enclosed in the original signed wooden box. Iron designs in orange fill are supplanted by splashes of Oribe green. Inside the lid dragonflies circle over a snake in the base. Typical of this artist the piece is thickly potted and quite heavy, it is 7-1/2 inches (19.5 cm) square, 4-1/2 inches (12 cm) tall and in perfect condition. Goro has a list of shows and prizes too lengthy to go through, but the highlights are, Nitten National Art Exhibition, Nihon Shin Kogei Ten (New National Crafts Exhibition), Nihon Gendai Kogei Ten (National Modern Crafts Exhibition), Asahi Togei Ten-(First of Show and governors prize), as well as the Kofukai Ten among many others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #686251 (stock #167)
Modern Japanese Ceramics
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Coral like texture seems to have settled on the shoulders of this sculpted Bizen vessel by artist Wakimoto Hiroyuki enclosed in the Original signed wooden box. The form is very natural, all curves and no glaze (it would make a great motto). Wakimoto is strongly influenced by the natural world and the shapes of ancient civilizations. From his native Japan to ancient China and Native American cultures, he assimilates and produces, all bending to his tools and wedges. This piece is roughly 8 inches (20 cm) across, 6-1/2 inches (16.5 cm) tall and, of course, in perfect condition. Another outsider in the Bizen world, Hiroyuki followed in the footsteps of friend Kakurezaki Ryuichi, both originally of Nagasaki. He graduated the Osaka University of Art Textile design in 1975, but gave up that line, Settling in Bizen for a long apprenticeship under Yamashita Joji in 1981. He established his own kiln in 1990, and was immediately prized at the Issui Kai Exhibition that year. The following year he was widely accepted, and ahs since displayed at the Chanoyu Zokei Ten (Sculptural Tea Forms) at the Tanabe Museum, The Nihon Dento Kogei Ten (Japanese Traditional Crafts Exhibirtion), Nihon Togei Ten (Japanese National Ceramics Exhibition), Asahi Togei Ten, among many others, both domestic and abroad.
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #686513 (stock #169)
Modern Japanese Ceramics
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A fantastic Mimitsuki fresh water container with rolling, sculptural corners very much in the style of the highly sought Bizen master Kakurezaki Ruichi enclosed in the original signed wooden box. It is 7-1/2 inches (18.5 cm) tall, 9 inches (23 cm) wide and in excellent condition, dating circa 1998. It is likely that Ryuichi needs no introduction, one of the most well known of Bizen potters, he is interestingly originally not from Bizen but far off Nagasaki, which seems to have gifted him with the ability to see the clays potential beyond conventional form. He graduated the Osaka University of Fine Arts, then enjoyed a long apprenticeship under Bizen Living National Treasure Isezaki Jun before opening his own kiln in 1986. Combining traditional technique with modern architectural form, He was recipient of the Japan Ceramics Society Award, Grand Prize at the Fifth Contemporary Tea Ceremony Utensils Exhibition, Tanabe Museum and has a list of public and private exhibitions which go beyond this brief add, including a showing in New York this year. His works are held in the collection of the Victoria and Albert Museum of London, National Ceramic Museum of France and the Tanabe Museum among others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #727167 (stock #194)
Modern Japanese Ceramics
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Birds flit playfully in the rich foliage of a fiery maple on the front of this flattened ovoid vase by Nakamura Toshito enclosed in the original signed wooden box. The odd triangular opening is perfect for flower arrangement, offering place for larger branches to rest in the corners. The ovoid form appears to be hand formed, the clay raked and covered in white with hand-painted scenery in enamel over. The vase is roughly 8 inches (20 cm) tall and in perfect condition. Toshito was simultaneously accepted into both the 7th Traditional Kutani Exhibition and the 37th SoZo-Ten Creative Design Exhibition in 1984, and has consistently displayed with them since, prized the following year in the SoZo-Ten. That same year he also received the governor’s prize at the 40th Kutani Sangyo Design Concool, and in 1990 was awarded the Hokuka-Sho at the SoZo-Ten. HE stayed within the Kutani area until the mid 90s, concentrating on his teaching position at the Ishikawa prefectural Ceramic Research Facility and building a reputation through area exhibitions of great rapport. With that base firmly established he was accepted into the National Traditional Arts and Crafts Exhibition in 1997, and has consitently displayed with that prestigious show, while not neglecting the Traditional Kutani Exhibitions at which he has been often awarded. This piece is nearly contemporary, dating to within the last five years.
All Items : Artists : Ceramics : Contemporary item #812233 (stock #277)
Modern Japanese Ceramics
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A large and lovely platter by Koyama Kiyoko enclosed in the original signed wooden box.  The wavelike surface traps the thick crystalline ash glaze in deep green pools, the edges left raw and exposed.  The excessive amount of glaze is typical of this artists work, and she is known for firing her kiln for up to 14 days straight.  The dish is roughly 1 foot (30 cm) square and in excellent condition.  Kiyoko was the subject of the film Hi-Bi (2005) and is the pioneering female wood firing artist in Japan. Born in Sasebo, Nagasakin in 1938, she went to Shigaraki village, home of one of Japans Six Ancient Kilns (RokkoGama).  There she studied the traditional techniques,, and bore the brunt of centuries of discrimination against women.  Through it all she persevered to become one of the most highly sought of Shigaraki potters. It is a true pleasure to be able to offer this piece.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #835558 (stock #290)
Modern Japanese Ceramics
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Hi-dasuki lines of red charring streak across the surface of this large Tokkuri Vase by Isezaki Mitsuru (b. 1934) enclosed in the original signed wooden box. A smooth even profusion of bubbles welter about the clay, adding a tactile texture to the elongated body. The vase is over 20 inches (51.5 cm) tall and in perfect condition. Mitsuru was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery. In 1998 Mitsuru was named a Prefectural Intangible Cultural Property for Okayama (the prefectural version of a living National Treasure, likely more important as it is truly based on the artists contributions rather than heredity). He has innumerable exhibitions, including the Nihon Togei-Ten (National Ceramics Exhibition) Nihon Dento Kogei-Ten (National Traditional Crafts Exhibition) and Gendai Togei Ten (Modern Japanese Ceramics Exhibition). In fact his first piece exhibited with the First National Ceramic Exhibition was selected for display in a show which went around the globe. Recipient of the Kaneshige Toyo prize as well as purchased by the Japanese Foreign service as gift to foreign dignitaries.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #853402 (stock #300)
Modern Japanese Ceramics
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A huge museum quality pottery vase by Konishi Yohei (b.1941) enclosed in the original signed wooden box titled Tokoname Sen-Jomon Tsubo. The vase is 17-1/2 inches (45 cm) tall, roughly the same diameter and weighs 14 kg (30 lbs). It is in excellent condition, dating circa 1990. Yohei was born the son of Konishi Yusen in Tokoname city, graduating the Tokoname Ceramics institute in 1959. He was first accepted into the Modern Japan Ceramics Exhibition (Gendai Togeiten) in 1960 and has since racked up a tremendous list of exhibitions. Those include the Nitten, Nihon Dento Kogei Ten (National Traditional Crafts Exhibition) and Asahi Togei Ceramics Exhibition. Also the Nihon Mingei Ten, Sanki-Kai Ten(prized), Issui-Kai Ten and Chunichi Kokusai Togei Ten (prized). Barollis French International Exhibition (silver prize). Shipping will be considered separately due to size.
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #915271 (stock #338)
Modern Japanese Ceramics
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A proud striated egg shaped orb floats above the square block forming the base of this sculpture by Matsumoto Hideo covered with enigmatic graffito. The object is 12-1/2 inches (31.5 cm) tall, 4 x 7 inches (11 x 18 cm) at the base, and is in excellent condition. This piece was purchased from an exhibition held in October, 1993, and a copy of a Newspaper article introducing the exhibition is enclosed with the piece. Hideo has been widely represented in Museum exhibitions throughout Japan. He was born in the 1950s, when Sodeisha was leading the charge away from traditionalism and function to form, and this has had a lasting effect on his work, which is largely sculptural, often beyond recognition. This piece comes in a tag-board box.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #915551 (stock #340)
Modern Japanese Ceramics
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The bodacious designs dominating the bold forms of Miyake Yojis work have drawn him many fans, one of which is this gallery owner, and this is a fine example enclosed in the original signed wooden box. The vase is 12 x 6 x 9 inches tall (30 x 15 x 23 cm). Born in Shimane in 1950, He studied from 1974 under Ito Kosho, establishing himself as an independent artist three years later in Mashiko. In 1979 his work was accepted into the Dento Kogei Shinsaku Ten (New Exhibition of Traditional Crafts) and displayed there annually thereafter. In 1980 he was accepted into the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition), and many times thereafter. Again the following year he was accepted into yet another major exhibition with the Nihon Togei Ten (All Japan Ceramic Exhibition), once again followed up with repeated acceptance there. Yet in the 90s he turned away from the competitive world and began to concentrate more on private exhibitions, of which he has been hosted many times in some of Japans most prestigious galleries. He was also the subject of an NHK Television Documentary in 1998 and appeared in another in 2000.
All Items : Artists : Ceramics : Pottery : Cups : Contemporary item #921362 (stock #351)
Modern Japanese Ceramics
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Sitg White crystalline glaze clings to the purple pitted sides of this fantastic set of 3 Mentori Shu-hai sake cups made especially for an exhibition in 2004 by Kato Toyohisa enclosed in the original signed wooden box. Enclosed is the original exhibition invitation showing a similar set. 1 cup is 5 inches (12 cm) tall, 4-1/2 inches (11 cm) diameter; the others are roughly 3-1/2 inches (9 cm) tall, 4 inches (10 cm) diameter. Toyohisa was born in 1962. His work is both original and fresh and his challenging pursuit of Mino ceramics is evident in both his contemporary pieces and his traditional ones. He first exhibited at the Asahi Ceramics Exhibition in 1983, and was awarded the rising star award. That same year he was awarded at the Tajimi City (home to innumerable Mino potteries) Art Exhibition. He has also exhibited and or been prized at the Tokai Dento Kogei ten, Mino Togei Ten, Issui Kai Ten and Gendai Chato Ten (modern Tea Ceramics Exhibition). In addition is a long list of Private exhibitions both domestic and abroad.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #970539 (stock #372)
Modern Japanese Ceramics
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A large Hidasuki Bizen Table by Shibaoka Nobuyoshi enclosed in the original signed wooden box. Two large circles beyond the burnt-straw remains gives the effect of the moon reflecting off water viewed through a rush of bamboo. The table is 17-1/2 by 9-1/2 by 4 inches (44 x 24.5 x 10 cm) and is in excellent condition. Nobuyoshi was born in 1950, the son of Ikkai. He graduated the Bizen Industrial High School and went on to apprentice at the Bizen Ceramics Research Institute followed by training under his grandfather Kozan II as well as under the tutelage of his father. He has been often prized at the Okayama Prefectural Exhibition, and has displayed with the Issui-kai, Nihon Dento Kogei Ten (National Traditional Crafts Exhibition), Nihon Togei Ten (National Ceramics Exhibition) as well as the Chunichi Kokusai Kogei Ten.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #974831 (stock #379)
Modern Japanese Ceramics
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A slight deviation from the norm, here is a scroll depicting the character Tsubo by Shigaraki artist Koie Ryoji in liquid strokes, the outer lines dissipating into the paper canvas. Ink on paper in a dark cloth border and unusual metal glazed ceramic rollers. It measures 19 1/2 by 42 inches (49, 5 x 107 cm) and is in fine condition.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #979657 (stock #388)
Modern Japanese Ceramics
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Striking black flashes of oil-spot glaze surface on this Tetsu-yu Tessai Tsubo by Shimizu Yasutaka enclosed in the original signed wooden box. The speckeled Rust red-orange body is like looking on fire or smoldering coals from a distance. The pot is 14 inches (35 cm) tall, 12 inches (30 cm) diameter and in fine condition, purchased at the Mitsukoshi Department Store Gallery Exhibition in 2006. Yasutaka was born into the pottery household of future Living National Treasure Shimizu Uichi in 1947. Although always involved in pottery, he began his official apprenticeship in the plastic arts under his fathers tutelage after graduating Ryukoku University in 1971. One year later his first piece was accepted in National competition at the Japan Traditional Crafts Exhibition (Nihon Dento Kogeiten). The following year he was awarded the first of many awards at the second Kinki Area Nnihon Kogei Kai Exhibition. In 1975 he was accepted into theNihon Togei Ten (National Ceramics Exhibition). He has a constant following in the world of Private exhibitions, and his work is held by Kyoto Prefecture.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #984422 (stock #393)
Modern Japanese Ceramics
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A huge pottery bowl splashed with color by Shimizu Yasutaka enclosed in the original signed wooden box inscribed as having been displayed at the Nihon Dento Kogei Ten Traditional Crafts Exhibition. The basin is 17 inches (44 cm) diameter, 7-1/2 inches (19 cm) tall and in fine condition. Yasutaka was born into the pottery household of future Living National Treasure Shimizu Uichi in 1947. Although always involved in pottery, he began his official apprenticeship in the plastic arts under his fathers tutelage after graduating Ryukoku University in 1971. One year later his first piece was accepted in National competition at the Japan Traditional Crafts Exhibition (Nihon Dento Kogeiten). The following year he was awarded the first of many awards at the second Kinki Area Nihon Kogei Kai Exhibition. In 1975 he was accepted into the Nihon Togei Ten (National Ceramics Exhibition). He has a constant following in the world of Private exhibitions, and his work is held by Kyoto Prefecture.
All Items : Artists : Ceramics : Contemporary item #984536 (stock #394)
Modern Japanese Ceramics
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A superb example of the work of Kimura Morinobu enclosed in the original sgned wooden box. The cream colored crackle glaze is speckeld with flecks of iron an ishihaze with five Zen circles around the circumference, subtly calling to mind the Book of Five Rings (Miyamoto Musashi). The deep crevaces in the glaze and heafty load of the bowl are a pleasure to behold. It is 5 inches (13 cm) diameter, 3-1/2 inches (9 cm) tall and in fine condition. Morinobu (b. 1932) was one of the born into a pottery family in Kyotos Higashiyama pottery district. He attended the Kyoto Municipal School of Art graduating from the sculpture division, and entered the Kyoto Ceramic Research Facility, the stomping grounds of so many of the brightest talents in modern Japanese Pottery. After apprenticing under bothhis brother, Morikazu, and Living National Treasure Shimizu Uichi, he established his own kiln in 1967. Although his list of exhibitions is much too long to put down here, he was named an intangible Cultural Property (Mukei Bunkazai) of Kyoto Prefecture in 1992. Works by the artist are held in the Kyoto National Museum among others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #993682 (stock #403)
Modern Japanese Ceramics
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A large Egg shaped Zogan vase by Kobayashi Seiji enclosed in the original signed wooden box. Enigmatic lines score the oblong body, the map-like surface filled with blue, green and silver. Seiji is best known for this Zogan technique, and this work is a superb example. It measures 11-1/2 inches (29 cm) long, 7 inches (18.5 cm) tall and is in perfect condition. Seiji (b. 1945) studied initially at the Nagoya Research Facility. He moved to Kasama in 1979. In addition to a long list pf private exhibitions his works have been exhibited at Nihon Dento Kogei Ten (National Traditional Crafts Exhibition), Nihon Togei Ten (NationalCeramics Exhibition) and he won top prize at the 1985 New Zealand International Ceramics Exhibition.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #994278 (stock #404)
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A jagged metallic shard has embedded into the lavender shaded side of this deep Shiro-Hagi Chawan by Miwa Kazuhiko enclosed in the original signed wooden box. The sheered metallic ring gleems softly gold in the light, a stark contrast against the moon-like glow of the body. The bowl is both sculptural and functional, the best combination. It measures 4 inches (10.5 cm) deep, 5 inches (12 cm) diameter and is in perfect condition. I hope you will take time to see the box being offered by his brother Miwa Eizo (1946-1999) in our inventory as well. Kazuhiko likely needs no introduction. Born into the family of living National Treasure Miwa Kyusettsu, he was not only heavily influenced by his father, but by his 5 years at the San Francisco Art Institute where he was able to acquire a novel eye in his approach toward the traditional Hagi style. He has a list of exhibitions much too long to state here, both inside and outside Japan.
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #1058751 (stock #416)
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The glaze on this sculpted form by The Bear of Echizen Kumano Kuroemon (also Kurouemon) is covered in the most fantastic crustations of glaze. Thick white over scarred red over shatterd black on an unconventional shape the artist has titled marukawara (round tile). It has Tomo everything, Artists history, wrapping cloth, with his ubiquitous calligraphy all over the signed box. The piece is 29 x 17 x 8 cm (11-1/2 x 6-1/2 x 3 inches) and is in perfect condition.
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts. Born in Fukui prefecture in 1955 Kroemon was a painter from youth, he began his studies under Fujita Jurouemon in 1976, and moved to study also under Toda Soshiro. Invited to the Soviet Union he spent time there and in Sakhalin in the 80s, returning to Japan to build his own kiln in 1987. He was the feature of a major exhibition in Germany in 2004, butaside from a few small exhibitions held in Japan (which quckly sell out) he remains a huble artist holed up in his mountain hermitage and works by him are not easy to acquire, with guinomi selling at 1000 dollars.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1059615 (stock #417)
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The sides are scorched from flame on this large, flattened ball form tsubo by Koie Ryoji enclosed in the original signed wooden box. The raw Shigaraki earth is scored with strikes from a paddle and deep gouges from the artist fingers. The Tsubo is roughly 8 inches (20.5 cm) tall, the same diameter. Born in Tokoname, 1938, Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio. Largely displayed and prized, he was most recently awarded the Japan Ceramic Society Gold Award in 2009, the most prestigious of pottery prizes in Japan.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1062235 (stock #421)
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Graffito scrawls through the silver lining of this fine Chawan by Morino Taimei enclosed in the original signed wooden box. The rackish wave on the outside saunters away from the dip of the silver inside the rim, creating a very playful complexion. The bowl is 12.5 cm diameter, 7.5 cm tall and in perfect condition. An article clipped from a catalog shows a very similar bowl priced at the time at 200,000 yen.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exhibition. In the early 60s he worked as a guest professor at the University of Chicago. Upon his return to Japan his career began to lift off with a second Hokutosho Prize at the Nitten, followed by The governors prize and others at the Gendai Kogei Ten (Modern National Crafts Exhibition). He was subsequently selected for display at the Kyoto and Tokyo National Museums in 1972 and was accepted into the first Nihon Togei Ten that same year. Since his list of exhibitions and prizes has continued to grow, with subsequent selections in the Tokyo and Kyoto museums of Art, as well as exhibitions in Paris, Italy, America, Canada, Denmark and others. In 2007 he received the Japan Art Academy Prize, an award to a work of art similar in weight to the bestowing of Living National Treasure to an artist. This puts the artist in a small club, rare and important. For more information on the artist see Contemporary Japanese Ceramics, Fired with Passion by (Lurie/Chan, 2006) or the recent exhibition of works titled Generosity in Clay from the Natalie Fitz-gerald Collection.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1062433 (stock #422)
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A set of five Ginsai (silver decorated) Mukozuke bowls by Kyoto artist Morino Taimei enclosed in the original signed wooden box. The blue is his signature color, silver and gold wavelets surrounding the silver basin. Striking, at the same time complimentary, everything we have come to expect from this artist. Each bowl is roughly 3-1/2 inches (9 cm) diameter and in perfect condition. The box as well is like new. Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exhibition. In the early 60s he worked as a guest professor at the University of Chicago. Upon his return to Japan his career began to lift off with a second Hokutosho Prize at the Nitten, followed by The governors prize and others at the Gendai Kogei Ten (Modern National Crafts Exhibition). He was subsequently selected for display at the Kyoto and Tokyo National Museums in 1972 and was accepted into the first Nihon Togei Ten that same year. Since his list of exhibitions and prizes has continued to grow, with subsequent selections in the Tokyo and Kyoto museums of Art, as well as exhibitions in Paris, Italy, America, Canada, Denmark and others. In 2007 he received the Japan Art Academy Prize, an award to a work of art similar in weight to the bestowing of Living National Treasure to an artist. This puts the artist in a small club, rare and important. For more information on the artist see Contemporary Japanese Ceramics, Fired with Passion by (Lurie/Chan, 2006) or the recent exhibition of works titled Generosity in Clay from the Natalie Fitz-gerald Collection.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1062499 (stock #423)
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Silver streaks the thickly potted blue sides of this large squared bottle vessel by important Kyoto artist Morino (aki) Taimei enclosed in the original signed wooden box. The vase is 8-1/2 x 4-1/2 x 10 inches (21 x 11 x 25 cm) tall and in perfect condition.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!). In 1960 he received the prestigious Hokutosho prize at the same National Exhibition. In the early 60s he worked as a guest professor at the University of Chicago. Upon his return to Japan his career began to lift off with a second Hokutosho Prize at the Nitten, followed by The governors prize and others at the Gendai Kogei Ten (Modern National Crafts Exhibition). He was subsequently selected for display at the Kyoto and Tokyo National Museums in 1972 and was accepted into the first Nihon Togei Ten that same year. Since his list of exhibitions and prizes has continued to grow, with subsequent selections in the Tokyo and Kyoto museums of Art, as well as exhibitions in Paris, Italy, America, Canada, Denmark and others. In 2007 he received the Japan Art Academy Prize, an award to a work of art similar in weight to the bestowing of Living National Treasure to an artist. This puts the artist in a small club, rare and important. For more information on the artist see Contemporary Japanese Ceramics, Fired with Passion by (Lurie/Chan, 2006) or the recent exhibition of works titled Generosity in Clay from the Natalie Fitz-gerald Collection.
All Items : Artists : Ceramics : Pottery : Contemporary item #1063377 (stock #424)
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A dark charred Chosen Karatsu kamahen Mimitsuku Mizusashi by Nishioka Koju (b. 1918) enclosed in the original signed wooden box. All is deeply coated in thick burnt ash. Red shows through rivulets of dark olive burnt to the side of the body. The raw clay is visible through the thick ash drips on one side. It has a custom black lacquered wooden lid and is in fine condition but for the handle on the lid, which was broken and repaired. It is 6 inches (15.5 cm) tall, 7 inches (17.5 cm) diameter and in perfect condition. Koju was born in Saga prefecture, and after participating in kiln research began working in Karatsu style ceramics around 1950 in a kiln he built that was named by Koyama Fujio. To this kiln came Fujiwara Kei and Arakawa Toyozo, the latter from whom he received the name Koju. He always avoided the world of large scale exhibitions in favor of small personal spaces, always preferring the private exhibition. Despite this, his reputation was impeccable and he was rated as one of the most influential people in Japanese ceramics by Honoho Magazine. His work is contained in the Polk museum, the Cleveland Museum as well as many other important collections. He is one of the most highly valued of the Karatsu artists, and his recent passing will leave a hole hard to fill in the Japanese ceramic world.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1064230 (stock #426)
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A most extraordinary glaze like green velvet covers this tall bottle form vase by modern Japanese pottery master Imai Masayuki enclosed in the original signed wooden box dating circa 1970. The long tapering from is expertly rolled at the mouth, the soft absorbent textured glaze lying perfectly smooth over all. The hada, or feeling of the surface is unlike any I have ever seen, and a drop of water is instantly absorbed by the porous surface. The vase is 16 inches (45 cm) tall and in excellent condition. Imai was born in Osaka in 1930 and studied the plastic arts under Kusube Yaichi of Kyoto, the city he chose to make home. He has been a long standing and often exhibited member of the Nitten, receiving the Hokuto Award there. He also took the grand prize at the International Biennale of Contemporary Ceramics as well as the prestigious Japan Ceramic Society Award in 1965. He is mentor and teacher to a new generation of Japanese potters including Ichino Masahiko.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1076009 (stock #433)
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Nothing I can say can convey the rugged beauty locked up in the capitulating form of this tall Shigaraki vase by Tsujimura Shiro enclosed in the original signed wooden box. The glaze runs down in tremulous glass drips over the charred and blackened surface scored and scarred. It is Zen! The vase is 10 inches (25 cm) tall, 5-1/2 inches (14 cm) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoiding the public spectacles often needed to make one in Japan.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1076248 (stock #434)
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A stunning work by Shigaraki Legend Tsujimura Shiro enclosed in the original signed wooden box inside the lid of which is scrawled a nude figure and the epitaph NY 5/24/06. It is known that when in New York at an exhibition in 2006 the artist was entertained at a gentlemen’s club and was purported to have had a very good time. This is likely a reference to that event. The vessel is 14 inches (35 cm) tall, 12-1/2 inches (32 cm) diameter and in excellent condition. Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoiding the public spectacles often needed to make one in Japan.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1108340 (stock #202)
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A large Mimitsuki Vase covered in deeply fissured celadon glaze by Suzuki Sansei (b. 1936) enclosed in the original signed wooden box. The translucent glaze is like that of an agate, shattered with heat, the crackling wide in the thick pale bluish green fog. The vase is 11 inches (28 cm) tall, 5-1/2 inches (13.5 cm) diameter and in perfect condition.
Mitsunari began with a six year apprenticeship under Kawamura Seizan and has received innumerable awards over his 40 year career. He has been displayed at most national juried exhibitions including The Nihon Dento Kogeiten (Traditional Crafts Exhibition) from 1968, The Kogei Shinsaku Ten (New Crafts Exhibition) since 1969, and Nihon Togei Ten (Japanese Ceramic Exhibition) where he received the Exhibition prize in 1981. His works have been purchased as gifts for foreign dignitaries by the Gaimusho. This piece dates circa 1995.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1110124 (stock #321)
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Charred ash deposits are baked into the side of this large Tsubo by Shigaraki Representative Otani Shiro enclosed in the original signed wooden box. Rivulets strike out from the heat blasted face, the coloring pleasing on all sides. The Tsubo is 10-1/2 inches (26 cm) diameter, 9 inches (23 cm) tall and in perfect condition.
Shiro (born 1936), of Shigaraki, was a student of Living National Treasure Shimizu Uichi and Kiyomizu Kyubei. He established his first kilns, a noborigama climbing kiln and Anagama in Shigaraki in 1973. He has since been displayed and prized at many National events, and has been guest lecturer at a number of universities in the United States.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1111626 (stock #229)
Modern Japanese Ceramics
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A flamboyant vase by Kawai Toru enclosed in the original signed wooden box titled: Gosu Mentori Ashitsuki Tsubo. Outside the vase is covered in Gosu blue, inside contrasted with iron red. The shape is all Toru, an artist who took the work of Kanjiro and moved beyond, as represented in this large tri-legged tsubo. The vase is 14 inches (35 cm) tall, roughly 12 inches (30 cm) diameter and in perfect condition.
Toru was born in 1941, the son of Kawai Takeichi. He apprenticed jointly under his father and Grandfather in 1964, making him the last disciple of Kanjiro Kawai, and it is he who seems to have lived up to his mentors expectations, synthesizing the Kawai style and taking it to the next level.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1113687 (stock #466)
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A large Shinshoku Ware-tsubo eroded through natural processes during firing with a shattered rim attached to the body at the shoulder. This piece is a virtual textbook on Yohen firing effects. Tamadare, Shinshoku, koge and other effects are supplanted by a large white kutsuki on the front, all under the shadow of the shattered rim fused to the shoulder. It is roughly 10 inches (25 cm) tall, the same diameter enclosed in a fine kiri-wood box. To quote from Japanese Wood fired Ceramics, Ceramic pieces exposed to prolonged high temperatures and heavy ash deposit will begin to erode…as the erosion progresses, holes may appear in the ceramic pieces. This usually occurs just before major collapse. Here we see heavy erosion on the fire side of the piece, heavily coated in ash and deeply pitted. The Japanese aesthetic emphasizes asymmetry and an appreciation of the Natural forces. This aesthetic is best expressed with the respect shown towards accidents of firing, often highly appreciated for their unique qualities. Connoisseurs spend years searching for that one unpredictable piece, and it can become the focal point of a collection, most appropriate in the dark humble confines of a tea room.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata prefecture, he was at Waseda University in 191 when he was summarily drafted into the Army. After the war he attended the Arts course of Nippon Daigaku University and was struck by the works of Living National Treasure Arakawa Toyozo, to whom he apprenticed in the arts of Shino and took his mentors work to a new level. Like all art, his was alive and always evolving. Starting with the replication and research of Momoyama techniques to the culmination of his efforts in Oni-shino, Nahiko has taken Shino beyond all others. It was not an eas road, for the first 15 years he worked for a ballet school, spent time as a recluse priest at Myoanji temple, and wandered the country playing the shakuhachi. It was a time of great change in Japan, starvation was rampant immediately after the war and supporting oneself through the little known art of Shino-yaki was difficult. However he perservered, along with Toyozo, Kato Juuemon, Kato Kohei and others, to bring Shino to the forefront of ceramic arts. Heavily prized domestically and abroad in his lifetime, his low output and unique quality make his work a must have for collectors.
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #1114704 (stock #468)
Modern Japanese Ceramics
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Each uniquely carved row of frets on this large textured koro is a variegated shade of raw clay by Matsuzaki Ken enclosed in the original signed wooden box. The piece measures7 inches (17 cm) square, 9 inches (22 cm) tall and is in fine condition.
Matsuzaki Ken was born in Tokyo in 1950, and grew up in that dynamic post war era where tradition and modernity were at constant loggerheads. He graduated Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under (to be) Living National Treasure Shimaoka Tatsuzo; putting him in direct lineage with Mingei legend Hamada Shoji. In 1978 he established the Yushin kiln, initially emulating the ordinary Mashiko-Mingei themes. However he could not be labeled so easily, and has sought expression in many forms and themes, including Shino, Hakeme, Yakishime, Zogan and porcelain. He is widely exhibited both inside and outside Japan, including New York, Boston and England and including the Metropolitan Museum of Art, New York. Works by the artist are held in the Victoria and Albert Museum, Metropolitan Museum of Art, New York, Sackler MuseumAMuseum of Fine Arts, Boston, Cleveland Museum of Art, Israel Museum, Philadelphia Museum of Art, Ibaraki Prefectural Museum and Mashiko Ceramic Museum as well as any number of other important public and private collections.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1114860 (stock #469)
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A very cool Ginsai covered dish by Banura Shiro enclosed in the original signed wooden box. Bright silver swirls to the center alternated by wrinkled lead colored glaze. It is 8 inches (20.5 cm) diameter and in excellent condition.
Shiro was born the fourth son of Living National Treasure for Lacquerware. His sensitivity to textures may stem from that exacting influence. Although his older brother succeeded the family tradition (another branching into paper arts), Shiro, after graduating the Kyoto University of Fine Art, apprenticed in the plastic arts under Kawamura Kitaro (1899-1966). He has an impressive list of exhibitions, including a private exhibition at the Umeda Kindai Bijutsu-Ten as well as the Niponbashi Mitsukoshi, Takashimaya, and Ikebukuro Tobu, the equivalent of being displayed on New Yorks Fifth Avenue or other cities most Trendy streets, as well as many international exhibitions. Like most Iga-area artists, his output is low, but quality and originality high, making his work very much in demand.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1115151 (stock #471)
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Burnt yellow glaze streaks down the body to form encrustations of glazz on the base of this organic looking vessel by Hori Ichiro enclosed in the original signed wooden box. It is 10 inches (25.5 cm) tall and in excellent condition.
Hori Ichiro (b. 1952) graduated the Tajimi School of Industrial Design and apprenticed under Kato Kozo. He has been awarded the Governors prize at the Asahi Ceramics Exhibtion, and has been displayed at the Chunichi Kokusai Togei Ten as well as Nihon Dento Kogei Ten. He says, “I believe in making pottery which is born of nature…”
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1119021 (stock #391)
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A striking series of concise patterns underlie the deep purple and green glaze on this large ichirin-sashi vase by Living National Treasure Tokuda Yasokichi III enclosed in the original signed wooden box. The box is signed Masahiko, dating it pre 1993 when he succeeded the family name. The body of the vase has been brought up to a very narrow neck, just wide enough to receive one flower before it flares out at the top. The vase is 8-1/2 inches (21 cm) diameter, 9 inches (13 cm) tall and in excellent condition. Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II. His works are held by many private collections, as well as the Polk museum and Kanazawa Contemporary Museum of Art.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1134480 (stock #477)
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A large and rare work by Sueoka Nobuhiko enclosed in the original signed wooden box. It is decorated with huge magnolia flowers (in Japanese mokuren,the tree lotus) growing up one side, and hanging down the other like the traditional opposing dragons. The piece is 16 inches (40 cm) tall and in excellent condition
Nobuhiko was born in Fukuoka on Japans Main Sothern Island in 1948, and apprenticed under future Living National Treasure Fujimoto Yoshimichi in 1973. He stayed working with Yoshimichi for 16 years, before establishing his own kiln in 1989, and moving to mountainous Nagano Prefecture in 1995. Although he has been displayed at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition) the artist has mostly eschewed the world of National competitions in favor of private exhibition, with small output works by this artist are hard to find and very much in demand.
All Items : Artists : Ceramics : Pottery : Jars : Contemporary item #1135255 (stock #482)
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If you wanted a fine Bizen sake flask this is the one, by Living National Treasure Fujiwara Kei enclosed in the original signed wooden box. It seems to encompass all the great characteristics of Bizen all wrapped in one small package. The vessel is 13 cm (5 inches) tall and in excellent condition.
Born in Bizen City, Okayama in 1899, Kei did not enter the ceramic world until he was already 40 years old. In his youth he studied art and literature in Tokyo. Intent upon becoming a novelist, he spent nearly 20 years there before returning to his hometown, where, upon advice from art critic and novelist Atsuo Masamune, he began his hand at Bizen. He fell under the tutelage of friend Kaneshige Toyo, one of the most important figures in 20th century Bizen. Together they worked to revive ancient Bizen-yaki and contributed to its expansion and Both were eventually named Living National Treasures, Kei in 1970.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1136667 (stock #483)
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Flying goma ash dusts the ribbon scalloped sides of this large Bizen vase by Matsumoto Katsuya enclosed in the original signed wooden box. The piece is 12 inches (31 cm) tall, 11 inches (28 cm) wide and in excellent condition. Born in neighboring Hyogo prefecture in 1942, at the age of 29 Katsuya apprenticed under Fujiwara Yu. He opened his own kiln in 1976. In 1982 he debuted at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition) and has consistently been exhibited there since, followed by both the Chunichi International Ceramics Exhibition and the Asahi Ceramics Exhibition, as well as the National Japanese Ceramics Exhibition.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1136970 (stock #373)
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A draping curtain of dark torn Bizen clay folds over the enigmatic form of this vase by Kaneshige Kosuke enclosed in the original signed wooden box. Texture varies from chattered extrusion to long, combed lines. Soft shades of color glow on the sides of the dark clay. The vase is 9 inches (23 cm) tall, 13 inches (33 cm) wide and in excellent condition, dating circa 1990.
Kaneshige Kosuke was born in 1943, third son of Bizen pillar Kaneshige Toyo. He studied from an early age with his father, then to Tokyo where he graduated the sculpture department of the Tokyo University of Art. Since he has been exhibited at the Nihon Kogeiten (Japan National Crafts Exhibition), Asahi Togei Ten (Asahi Ceramics Exhibition) and Tanabe Chanoyu Sculpture Exhibit. He has also been exhibited in the Tokyo National Museum of Modern Art, as well as internationally in New York, Paris, Seoul and Boston. He is held in the Tokyo National Museum of Modern Art, The Suntory Collection and the Okayama Museum of Modern Art among others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1138414 (stock #484)
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The edges burn dark brown on this large Bizen vase by Kawabata Fumio enclosed in the original signed wooden box. Green ash clings to the upper surface, peeling away from the superheated corners, the bottom rich dark raw clay. The vase is (‘29 x 21 x 36 cm) tall and in excellent condition.
Fumio was born in Yokohama city in 1948, far from the traditional kilns of Bizen hundreds of kilometers to the west in Okayama. After studying graphic design he was captivated by the natural landscapes presented by Bizen wares, and in 1974 moved to study pottery at the Ibu-no Kamamoto. His talent was spotted quickly and he was taken in by Kaneshige Riuemon where he was schooled in the gamut of traditional forms and styles. By 1984 he was considered a master potter, and moved to establish his own kiln. Concentrating largely on the personal world of private exhibitions, in 1989 he was given top prize at the Tanabe Museum Cha no Yu Zokei Ten (Sculptural Forms in Tea exhibition), and again was awarded there in 1994 as well as receiving the Okayama Prefectural Governors prize and has been prized at the National Ceramics Biennnale.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1140911 (stock #501)
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A family of Stonefish (Okoze), the deadliest fish in the world, swim across the pure white surface of this large Tsubo by Uchida Tadashi enclosed in the original signed wooden box. It is 12 inches (30 cm) diameter, 13 inches (34 cm) tall and in excellent condition. The box is titled Tetsu-e Okoze-Mon Tsubo (Tsubo decorated with Okoze fish in Iron) and includes a thank you card from the artist to the collector. A label tied to the box chord states it was purchased from an exhibition at Takashimaya Department Store in the summer of 1996.
This is from the Matsui family collection of Fushimi, an extensive collection of art objects encompassing many aspects of crafts, including sculpture, Pottery and Metalwork, largely from Kyoto area Artists.
Born in Gifu in 1947, from 1968 Tadashi studied Hakuji and Sometsuke under Kondo Ryuzo, entering his first National exhibition (Nihon Dento Kogeiten) in 1974. In 1977 he established his own kiln on the former Ninnami Dohachi Kiln site in Kyoto.
All Items : Artists : Ceramics : Pottery : Jars : Contemporary item #1143669 (stock #506)
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Encrusted in blue glass, this Iga Tokkuri by Furutani Kazuya is a pleasure to see and hold. It is 5 inches (12. Cm) tall, 3 inches (8.5 cm) diameter and in perfect condition, enclosed in the original signed wooden box.
Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki. His Father’s sudden death in 2000 pushed Kazuya to the fore, and left him with big shoes to fill. That he has done! Building three Anagama in the following decade and displaying with the National Ceramics Exhibition and a number of private affairs in some of Japan’s top venues.
All Items : Artists : Ceramics : Pottery : Contemporary item #1145693 (stock #516)
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Who says the work of a woman potter is feminine? This is a powerful Iga work by Watanabe Aiko enclosed in the original signed wooden box. There is nothing sedate about this work, charred and dripping with glassy green glaze, freckled with flying ash; the heavy lug handles jutting from the side slightly off kilter. The vessel is 7 inches (17 cm) tall, roughly the same diameter and in excellent condition.
Aiko established her first Anagama kiln in Shigaraki in 1994, and moved to Iga in 2001 where she built her second kiln. That was a big year of change for her, and she held her first of many private exhibitions in Shibuya, Tokyo, including one just finished at Kuroda Toen. Always building in 2003 she began planning her third Anagama kiln, which was first fired in 2005. A promising young artist still affordable, but with recent media attention that condition may not last.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1147571 (stock #286)
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A striking Bizen Chawan of mixed clay by young artist Yokoyama Naoki enclosed in the original signed wooden box. The mixed earth is pulled and twisted out of shape; one can sense the plasticity with your eyes. The stretched earth is burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln. The bowl is just less than 5 inches (12 cm) diameter, 3-1/2 inches (8.5 cm) tall and in fine condition.
Naoki has been displayed at the Chanoyu Zokei Ten at the Tanabe Museum as well as the National Traditional Crafts Exhibition (Nihon Dento Kogei Ten) and National Ceramics Exhibition (Nihon Togei Ten) among others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1164504 (stock #545)
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I have long wanted to offer a significant piece by this artist, and here is a spectacular Nezumi Shino pair of vases by Wakao Toshisada enclosed in the original signed wooden box. Red tinged white waves boil over the Nezumi-gray arc of the base, a white waxing moon floating above. They measure 9 x 3-1/2 x 12-1/2 and 8-1/2 x 3-1/2 x 10-1/2 inches (23 x 9 x 32 cm and 21.5 x 9 x 27 cm) respectively and are in perfect condition.
Toshisada was born in Tajimi, Gifu prefecture, home of Mino pottery, in 1933. He was first recognized at the New Crafts exhibition of 1960, the same year he was first exhibited at the Central Japan Art Exhibition. Three years laer he made his debut at the Asahi Ceramics Exhibition, following in 1965 with the National Traditional Crafts Exhibition. In 1971 he first exhibited with the Nihon Togeiten (All Japan Ceramics Exhibition) and was awarded the following year the New Mino Artists Prize, gathering acclaim as a leader in the field. After many domestic and International exhibits, he was awarded the Kato Kohei prize in 1986. and was recipient of the prestigious Japan Ceramics Society (JCS) Award in 1989. He was named an intangible cultural asset of Tajimi city in 1995, and of Gifu Prefecture in 2003, and works by the artist are held in the Museum of Modern Art Tokyo, V&A, Freer Gallery and Sackler among many others.
All Items : Artists : Ceramics : Pottery : Cups : Contemporary item #1164723 (stock #324)
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A bold set of six contemporary White Bizen Beer Mugs, each entirely unique with slightly different hada by Kitano Katsuhiko enclosed in the original signed wooden box. Over the pale, sheer clay deposits of ash glaze, goma kasu and hi-iro scorching combine with smoky black staining for a very unique experience. Each cup is roughly 4-1/2 inches (11.5 cm) tall, 3 inches (7.5 cm) diameter and all are in perfect condition.
After graduating Nihon Daigaku (University of Japan) Katsuhiko worked (like many before him including Hamada Shoji and Kawai Kanjiro) at the Kyoto Ceramics Research Facility. After establishing his own atelier, the artist has been displayed at the Nihon Dento Togei Ten (National Traditional Ceramics Exhibition) Nihon Togei Ten (National Ceramics Exhibition) Chunichi Kokusai Togei Ten as well as the Nihon Bijutsu Kogei Ten where he received the Kogei Daisho prize.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1166191 (stock #544)
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A striking Tetsu-yu Kakiwake Kabin by Shimizu Yasutaka enclosed in the original signed wooden box and accompanied by the original autographed exhibition catalog from 2007. The vessel is featured as item number 1 in the catalog, the star of the show and obviously very important to the artist to have earned such placement. It stands 16 inches (42 cm) tall, 11 inches (29 cm) diameter and is in excellent condition.
Yasutaka was born into the pottery household of future Living National Treasure Shimizu Uichi in 1947. Although always involved in pottery, he began his official apprenticeship in the plastic arts under his fathers tutelage after graduating Ryukoku University in 1971. One year later his first piece was accepted in National competition at the Japan Traditional Crafts Exhibition (Nihon Dento Kogeiten). The following year he was awarded the first of many awards at the second Kinki Area Nihon Kogei Kai Exhibition. In 1975 he was accepted into the Nihon Togei Ten (National Ceramics Exhibition). He has a constant following in the world of Private exhibitions, and his work is held by Kyoto Prefecture. Due to size the cost of shipping will be assessed separately from the list price.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1167433 (stock #545)
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Enigmatic forms in black populate the oil spotted rust-colored body of this voluminous work by Shimizu Yasutaka enclosed in the original signed wooden box displayed at the 35th Nihon Kogei Kai Shinsaku Togei Ten (Japan Crafts Association Exhibition of New Ceramic Works) and published on page 8 of the catalog for that year (2007, catalog included). The vessel is 14-1/2 inches (37 cm) tall, roughly 1 foot (29 cm) diameter and in fine condition.
Yasutaka was born into the pottery household of future Living National Treasure Shimizu Uichi in 1947. Although always involved in pottery, he began his official apprenticeship in the plastic arts under his father’s tutelage after graduating Ryukoku University in 1971. One year later his first piece was accepted in National competition at the Japan Traditional Crafts Exhibition (Nihon Dento Kogeiten). The following year he was awarded the first of many awards at the second Kinki Area Nihon Kogei Kai Exhibition. In 1975 he was accepted into the Nihon Togei Ten (National Ceramics Exhibition). He has a constant following in the world of Private exhibitions, and his work is held by Kyoto Prefecture. Due to size the cost of shipping will be assessed separately from the list price.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1170402 (stock #554)
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A striking large and deep basin by Yamamoto Noriyuki decorated with rich gold and iron designs enclosed in the original signed wooden box. The pattern is reminiscent of Ainu texties from the indigenous Northern Peoples of Japan. The dish is 13-1/2 x 10-1/2 x 3-1/2 inches (34 x 27 x 9 cm) and in fine condition.
Born in Tottori Northern Japan in 1948, Noriyuki came under the influence of Mingei adherent Yoshida Shoya (1898-1972) at the age of 16, and this formed the basic principles of his philosophy of ceramic art. That it is something used daily, and becomes so much a part of us we do not even think about it, yet it is so dear. After meeting Bernard leach in Tokyo in 1967, he apprenticed at the age of 18 in Tottori, establishing his own kiln in 1971. That first ten years he spent searching for himself through the ceramic medium, and according to himself it was 7 turns and 8 stumbles before his first major solo exhibition. His Kiln was once destroyed in the Typhoon of 1990, but he rebuilt and was able to hold an exhibition that same year. Overall he has eschewed the world of competitive exhibition in favor of the private confines of the one-man show.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1174564 (stock #563)
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A Sueki style tiered vase by Koinuma Michio enclosed in the original signed wooden box. The cement like body exemplifies what we expect from Michio, crisp lines and geometric forms. It measures 12 inches (30.5 cm) tall and is in excellent condition.
Michio is a compelling figure unique among contemporary artists. He seems to have no limit to his imagination and creativity, still dazzling us with new concepts after four decades. Born in the hectic war years in 1936, he is incredibly intelligent, graduating the economics department of Osaka University, then on to Waseda for graduate studies, one of the top three schools in Japan. Relinquishing that life he opened a kiln in Mashiko in 1970. Since 1978 he has been consistently displayed at the best galleries in Japan, as well as overseas. For more see Contemporary Japanese Ceramics Fired with Passion (ISBN -10: 1-891640-38-0) or To volume 10, which is dedicated entirely to him.
All Items : Artists : Ceramics : Pottery : Contemporary item #1174915 (stock #566)
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I have long been searching for the right item by this artist to offer on the site, and here it is: blossoms and black decorate this fine cloth-textured pottery box by Ito Motohiko enclosed in the original signed wooden box. It is 10-1/2 x 10-1/2 x 4 inches (27 x 27 x 9.5 cm) and in excellent condition.
A similar workk by this artist was sold at Bonnhams in 209 for US$ 3,965 inc. premium
The artist is a famous Kasama potter, best known for his nunome pattern and exceptional designs. Motohiko was born in Fukuoka prefecture, 1939, and graduated the Tokyo University of Art in 1964, then moved on to advanced courses there, finishing in 1966. While at University he studied under Kato Hajime and Fujimoto Yoshimichi. It was in 1967 his first piece was accepted into the 6th Modern National Crafts Exhibition, and the next year would be spent working under to-be-Living National Treasure Matsui Kosei. His list of prizes and exhibitions is much too long to reproduce, but since 1967, he has Exhibited with the Nihon Dento Kogeiten, Nihon Dento Kogei Shinsaku Ten, Dento Kogei Musashino Ten, Tanabe Museum Modern Tea Forms Exhibition, been the subject of an NHK Television documentary, and participated in a ridiculous number of private exhibits at many of Japans top venues, and has been purchased by the current Emperor in person as well as receiving the Shijuho-sho prize from his majesty.
All Items : Artists : Ceramics : Pottery : Bowls : Contemporary item #1181381 (stock #572)
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A dramatic basin brutalized by the elements by Shigaraki Master Tsujimura Shiro enclosed in the original signed wooden box. Representative of this artists work, the lip has split with heat, one edge blasted off, and the entire charred and buried in ash. The dish measures 7.5 cm (3 inches) deep, 29 cm (12 inches) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoiding the public spectacles often needed to make one in Japan.
All Items : Artists : Ceramics : Porcelain : Contemporary item #1185429 (stock #592)
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A breathtaking white form of draped porcelain by Nagae Shigekazu enclosed in the original signed wooden box with the original Daimaru Department Store exhibition invitation. Light patterns are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up. What is surprising about this work is the weight, incredibly light. The piece measures 16 x 16 x 5 inches (41 x 41 x 12 cm) and is in excellent condition. Due to fragility this piece will require special shipping consideration.
Shigekazu (b. 1953) graduated the Seto Industrial School of Ceramics in 1974 Beginning to grab attention in the late 70s, he has striven to perfect porcelain casting techniques, creating one-off shapes and forms previously impossible. He is held in the collection of the V&A (London), LACMA (Los Angeles) and the National Gallery of Australia, Cincinnati and Cleveland Art Museums, Minneapolis Institute of Art, Japan Foundation and many many others. With very low output, this is a rare opportunity to join the worlds top museum collections by acquiring this artist.
All Items : Artists : Ceramics : Pottery : Jars : Contemporary item #1186394 (stock #G601)
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A large mizusashi extolling thevirtues of True Momoyama Bizen by Abe Anjin enclosed in the original signed wooden box. The iron like quality of the work comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters. Scars and interconnecting symbols harken back to the days of group firing and kiln marks. The piece is 7-1/2 inches (19 cm) diameter, 7 inches (18 cm) tall and in excellent condition. Very rare!
Born in Osaka in 1938, the mysterious recluse began his artistic carreer as an oil painter training under Miyamoto Saburo. Although best known for his Momoyama inspired Bizen works, he began delving into the pottery world with Raku, then moved into Shigaraki and Bizen, firing from a kiln in Ehime prefecture, then Okayama and has also fired Nanban ware. Works by the artist are held in the Metropolitan Museum of Art, New York, Asian Art Museum, San Francisco, National Museum of Modern Art, Kyoto as well as the Imperial Household Collection among many others.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1192551 (stock #616)
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White dots pattern the scalloped swirling form of this vase by Kitamura Junko enclosed in the original signed wooden box. The vase is 7-1/2 inches (19 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bamboo and firing once with a dark slip, the impressions are painstakingly filled with white slip, defining the pattern, and fired again. Works by the artist are held in many public collections, including the National Museum of Modern Art, Tokyo; the Museum of Fine Arts, Boston; Houston Museum of Art and Brooklyn Museum of Art among many others. For more on this artist see Touch Fire: Contemporary Japanese Ceramics by Women Artists (2009) or Soaring Voices, Contemporary Japanese Women Ceramic Artists (2009)
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1193274 (stock #620)
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A superb Uzukumaru tsubo by Tsujimura Shiro enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoiding the public spectacles often needed to make one in Japan.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1199337 (stock #631)
Modern Japanese Ceramics
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A tower of geometric in silver and red by Kawano Eichi enclosed in the original signed wooden box. The pebble textured surface and straight lines of the side are juxtaposed by the irregular and angular patterns of silver, like the outline of stones leading to a temple cast in shadow across the sides. The vase is 13 inches (33.5 cm) tall, 4 inches (10 cm) square and in fine condition.
Eichi was born in Osaka, 1943, and was raised in the post-war era of huge change. He studied in the plastic arts under Kiyomizu Rokubei VI, and was certainly influenced by the movement towards modernism and sculpture in the 50s and 60s. This influence is evident here in this work, which lies between the modern world of sculpture and the traditional realm of function. From 1973 he began exhibiting with the Nitten National Exhibition, and was first exhibited at the National Modern Crafts Fair the following year. That same year (1974) he was awarded at the Kyoten Exhibition. He would be consistently awarded in years to come at the Kyoten and other Local and National exhibitions.
All Items : Artists : Ceramics : Pottery : Vases : Contemporary item #1211913 (stock #651)
Modern Japanese Ceramics
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A powerful Chossen-Karatsu mimitsuki hanaire flower vase by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Licks of blue fire rim the blast of pale white covering the upper reaches of the dark earth. The shape is hammered and beaten by the flame, shinshoku wear from the extreme heat beginning to degrade the lip. It is 8-1/2 inches (22 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition. A rare opportunity to acquire a masterpiece by this highly sought artist.
Jinembo was always fascinated with Karatsu ware, and studied under the great Inoue Toya from the age of 24. Several years later he returned to his hometown to establish a climbing kiln of his own, which he put to great use. From there, not satisfied with his own work skills, he went to Tanaka Sajiro for an additional apprenticeship. Since he has, as many Chajin artists, concentrated on private exhibitions as an outlet for his work, shunning the world of mass competition and retail, making his work both highly valuaed and hard to find.
All Items : Artists : Ceramics : Pottery : Cups : Contemporary item #1216523 (stock #655)
A set of five E-Karatsu Mukozuke by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Radically brushed birds rise up into the sky, framed by a vertical bars of iron; inside soft earthen white. Each is roughly 3 inches (8 cm) diameter, 2-1/2 inches (6.5 cm) tall and in excellent condition, bearing the Tarouemon three star mark on the base.
Nakazato Shigetoshi was born in 1930 the third son of Living National Treasure Tarouemon XII (Muan) of Karatsu fame. He was first exhibited at the Nitten National Exhibition in 1952, and received the Matsuzakaya prize at the Modern Ceramics Exhibit 4 years later, the first of a great many awards culminating in the Saga Prefectural Cultural Award in 1985 given not lightly for his lifetime endeavors. He can be found in the British Museum among others.